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@theguardian Wed, 20 May 2026 17:51:26

The Guardian view on tackling Ebola: pathogens aren't the only things that kill | Editorial

Conflict and aid cuts are hampering the fight against an outbreak of the deadly virus centred in the Democratic Republic of the CongoThe Democratic Republic of the Congo has faced the deadly threat of Ebola 16 times since the virus was discovered there in 1976, with a 2018-20 outbreak killing almost 2,300 people. On Sunday, the World Health Organization declared the 17th outbreak to be a public health emergency of international concern. So far, 139 suspected deaths and almost 600 suspected cases of the haemorrhagic fever virus have been identified, nearly all in the DRC's north-eastern provinces of Ituri and North Kivu, with two cases in Uganda of people who had travelled from the DRC.There is also anxiety about neighbouring South Sudan. The WHO fears the disease has been spreading for a couple of months and, given the highly mobile population, warns that it could take months more to bring it under control. While it judges the risk of global spread to be low, it thinks the regional risk is high.Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here Continue reading...

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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